Thursday, September 12, 2013

A Writing Career vs Being Published

Kris Rusch is filled with wisdom on this subject and expresses things much better than I ever could, as she has lived the life and career of a self-supporting writer.

I was going to post a couple of quotes so you could get an idea what her article is about, but she may have it set up so it can't be copy-and-pasted, or maybe it's my keyboard acting up. Whatever the issue, that link is worth clicking through and reading so you will understand more about the process of being published, of having a writing career, of the business.

And just like you are able to subscribe to this blog and get it via email, you can subscribe to hers.

I highly recommend you do that.
4. Book sales (part two). I almost wrote that both types of writers want to sell a book, but that’s not accurate. Both types of writers want to sell books isn’t accurate either. Then I tried both types of writers want to get published, but again, things have changed enough that even that statement is a bit suspect. Let’s just dive in, shall we? - See more at: http://kriswrites.com/2013/08/28/the-business-rusch-a-career-versus-publication/#sthash.jct0PipZ.dpuf
The one-book writer wants to achieve a goal. It’s a bucket-list sort of thing. It may be that way because the writer has no idea that a career is possible or it may be because the writer has other interests and would rather focus on them.
So many writers who come into the publishing business are one-book writers. In fact, I would say that the majority of writers I have met over my thirty-plus years in the business have been one-book writers, with other jobs and other interests.
The career writer is in this for the long haul. She has dozens if not hundreds of books in her. She wants to make a living—a good living—from writing those books. Her goals are twofold: to have books in print, yes, but more than that. This writer wants to spend her life telling stories and/or sharing information.
She’s not in it for accolades or wealth, although those are nice side benefits. She’s not in it to get tenure or to show her literary bona fides. She needs to make the rent and do so while pursuing a non-traditional career. That takes planning and foresight, and an ability to roll with the punches.
- See more at: http://kriswrites.com/2013/08/28/the-business-rusch-a-career-versus-publication/#sthash.jct0PipZ.dpuf
The one-book writer wants to achieve a goal. It’s a bucket-list sort of thing. It may be that way because the writer has no idea that a career is possible or it may be because the writer has other interests and would rather focus on them.
So many writers who come into the publishing business are one-book writers. In fact, I would say that the majority of writers I have met over my thirty-plus years in the business have been one-book writers, with other jobs and other interests.
The career writer is in this for the long haul. She has dozens if not hundreds of books in her. She wants to make a living—a good living—from writing those books. Her goals are twofold: to have books in print, yes, but more than that. This writer wants to spend her life telling stories and/or sharing information.
She’s not in it for accolades or wealth, although those are nice side benefits. She’s not in it to get tenure or to show her literary bona fides. She needs to make the rent and do so while pursuing a non-traditional career. That takes planning and foresight, and an ability to roll with the punches.
- See more at: http://kriswrites.com/2013/08/28/the-business-rusch-a-career-versus-publication/#sthash.jct0PipZ.dpuf
The one-book writer wants to achieve a goal. It’s a bucket-list sort of thing. It may be that way because the writer has no idea that a career is possible or it may be because the writer has other interests and would rather focus on them.
So many writers who come into the publishing business are one-book writers. In fact, I would say that the majority of writers I have met over my thirty-plus years in the business have been one-book writers, with other jobs and other interests.
The career writer is in this for the long haul. She has dozens if not hundreds of books in her. She wants to make a living—a good living—from writing those books. Her goals are twofold: to have books in print, yes, but more than that. This writer wants to spend her life telling stories and/or sharing information.
She’s not in it for accolades or wealth, although those are nice side benefits. She’s not in it to get tenure or to show her literary bona fides. She needs to make the rent and do so while pursuing a non-traditional career. That takes planning and foresight, and an ability to roll with the punches.
- See more at: http://kriswrites.com/2013/08/28/the-business-rusch-a-career-versus-publication/#sthash.jct0PipZ.dpuf

Wednesday, September 11, 2013

Trope and Clichés

Just a couple of examples of tropes:

Agatha Christie mystery tropes

Fantasy genre tropes

More tropes

More important than understanding the tropes in the kind of story you are telling can be the tropes you personally love and hate. Use the ones you love and find ways to turn the ones you hate upside down in unexpected ways.

For that matter, turn the ones you love upside down in unexpected ways.

As a dear friend once told me, clichés are clichés because they work. When they become annoying because they are used too much and cause a groan instead of a  gasp of appreciation, that just makes the writing more fun and challenging.

Go for it!


Tuesday, September 10, 2013

A big Texas welcome to my Autumn Semester Basics Class!

And howdy!

As promised last night:

The most important thing I’ve read in a very long time was the Whatever entry by Mary Anne Mohanraj. I told Mary Anne I felt the need to blog about it and she encouraged me to do so, but since I haven’t had the time to address it properly yet, I will go ahead and mention it here.

WritingTheOther

 In that entry she says of writing ‘the other’ — those who are different from us in ROAARS Race/Orientation/Ability/Age/Religion/Sex [as defined by Nisi Shawl and Cynthia Ward in Writing the Other] :
  1. You get to write whatever you want, including CoC (characters of color).
  2. You may worry about being criticized for your handling of race.
  3. PoC don’t have an obligation to teach you how to write CoC well and avoid criticism.
  4. Nonetheless, here are some suggestions on how to write CoC well.
  5. You will get it wrong. This is what you should do.
Reading that list and everything Mary Anne had to say about it was a punch in the gut, a punch to my fears of offending, of getting it wrong. It is terrifying and exhilarating and liberating. I suggest you read the article, and like I did, follow up on her other reading suggestions including the short book Writing the Other, available in paperback and for Kindle. It is going on my list of suggested reading for my classes and for anyone who recognizes a need for it.

Note: To anyone interested in more about writing the other, in this case transgender folk, check this out.

[originally posted here]